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tripnek Sun, 07/18/2004 - 09:18

I'll second the soundcard idea. At least get something that will record 24 bits to start with.
Start with a tube guitar amp and a nice guitar, mic that with at least one good mic (shure sm57) but preferably two or three (Sennheiser MD421, and a condenser added to the 57), run the mics into good preamps (preferably Neve, UA, Great River, ect..), then ship the signal through a nice compressor (Neve 33609, 1176, LA2A, DBX 160VU, ect..) and knock off a few db of the peaks or more if your going for the some compression "effect", then run the signal into good Quality converters lie a Rosetta or similar.

Then after you have recorded your track, record the same thing again. Pan one track left and one right.

anonymous Mon, 07/19/2004 - 02:46

tripnek wrote: I'll second the soundcard idea. At least get something that will record 24 bits to start with.
Start with a tube guitar amp and a nice guitar, mic that with at least one good mic (shure sm57) but preferably two or three (Sennheiser MD421, and a condenser added to the 57), run the mics into good preamps (preferably Neve, UA, Great River, ect..), then ship the signal through a nice compressor (Neve 33609, 1176, LA2A, DBX 160VU, ect..) and knock off a few db of the peaks or more if your going for the some compression "effect", then run the signal into good Quality converters lie a Rosetta or similar.

Then after you have recorded your track, record the same thing again. Pan one track left and one right.

You forgot the need for the SSL 'K' series console and Pro Tools HD system!