I am planning to bay an digital mixer.

I can get an O1V or an O3D (Yamaha) voor de same price (1000 euro including an ADAT interface)

What is the best choise?

The O1V has more mic inputs and direct controlers for EQ etc.
The O3D has better sounding preamps , the connections on the back and more outputs.

I was all set to plunk down my credit card down on a Focusrite Voicemaster Pro . . . but then got to thinking: Adobe Audition (the sequencer I'm using) has a compressor, de-esser, expander, EQ, reverb, and even plugin tube effects in software (all of which can be saved as an "effects rack"), why would I want the VM Pro instead of Audition with a simple (but good) pre and an interface card?

Just wondering if there were any other boxes that do the same thing as the reamp (http://www.reamp.com)?

thanks

I've got a Digi 002 and I want to use this piece of sampled music as an intro for my band when we play live. I already imported it in Pro Tools and spliced it up the way I want it. Here's my problem, I need to slow it down slightly to match the speed of our first song, and I also need to bump it up a half step in pitch. Anybody know how I can accomplish this?

Hi folks
I'm after suggestions for my next purchase.
Here's my setup so far. . (main equipment only)

DIGI001
TLM-103
MXL V67M
2x B&K 4007
2x AKG C535-EB
2x Beyer Opus 83
EV RE-38 N/D
AKG D112
Buzz Audio SSA1.1
Mindprint EnVoice
Mindprint DI-Port

Hi!
I am out for a new electric guitar mic. and my first intuition was Shure's SM57. But what I also found out was that Collins make what I see an exact copy of the Shure. Is there no difference between these two mics soundwise or does the look cheat me?

Some of you might be interested in my screen video preview of what's new in Sonar 4. You can check it out at http://sonar.digitalmusiCDoctor.com/

if any of you had 10 grand what would you put together, as a good setup for mastering, or just plain old recording a band?

Hi All -- I am a new member to RO. This is a great site -- very helpful.

Hope ya'll can help. I've heard you can damage a speaker by underdriving it as by too much power. What's the safe zone, percentage wise? Let's say I've got a speaker rated at 100 watts. I need to give it at least so-and-so, but not more than such-and-such? What are these numbers?