I know there are pro's and con's of EQing your room, but I wanted to get some feedback. I've been moving my monitors around, putting Auralex up (and bass traps), but I don't know if the overall effect of putting in a parametric or graphic EQ (with inherent phase shifts) is overall, better than dealing with frequency inadequacies and having to "learn the room".

I have a DAW studio and I'm new to sync issues. I wanted to know what options are available for good sync, mtc, & mmc. My question is, are the MTP AV & Midi Express XT the same or equal. I hear the MTP AV does more. Can some one explain these two pieces to me. Thanks RO members.

PS

As 3.1 approaches Beta any day now I just thought I'd remind everyone about RADAR 24's new ability to export BWF (Broadacst .wav format) to DVD-RAM and Mac or FAT 32 formatted SCSI drives.

Looking for some advice here...

I am about to go out and drop some bucks on a harward input device for Cubase. I am currently using Cubase and the Tascam US-428.

I have narrowed my options to:

Ehco's Layla and Aardvark's Q10. (I am leaning towards the Layla).

Hey,

I just got my new board! A Soundcraft Spirit Auto made in 1993 and am SO very happy about it, (anyone want to buy a good used Topaz 24/8?).

So, here's my question: the board was made in 1993 and the automation software seems to be obsolute and/or unavailable. The manual states that it can be run by Cubase, JL Cooper stuff, Soundcarft software (mac only) as well as "any sequencer".

OK perhaps it's Madonna's nickname, but seriously what is MADI?

And what about that Euphonics box that connects everything to everything? How can it 'pretend to be a Digidesign interface"? Is that MADI too?

This is some serious digital sh*t, but still, we ARE talking about hardware boxes!

Who needs MADI?

:eek:

Jules

WHat compressor do you use when mixing to stereo?

OK Opus, I think I found the forum that you told me about from the Tascam site.

Just to refresh your memory I was asking about products that could record 8 or more tracks into Cubase at the same time.

I was listening to a current drum track and playing with phase switches while in mono. Listening to the low end it sounds the fullest with one over head switched out. The right from the drummers perspective. However, listening to the hi end I can hear a slight filtering type thing with this setup. From now on I will listen for this while tracking, but what adjustment should I make?