As far as I know the information being passed through an ADAT Optical Digital out can only go as high as 48K. But I was researching the Focusrite Octopre and it states that there is a new ADAT spec that now makes it possible to use ADAT to transfer 96k digital information. Has any one heard about this? Or does any one know where I can get info on this new spec?

what sounds better radar at 48k vs digi002 at 96k

I have the option to A/D with either the MOTU 896 or Finalizer 96k...has anyone tested them and know which sounds better in the end?

Hi folks
being an intense user of the 02R V2, I would like to know from the new users of the 02R 96k/DM2000 if the automix pages have been improved with functions like:
-safe/protect automix and scenes;(provided at the 01V);
- page up/down;
- next/back

ReVibe Room Modeling Reverb TDM Plug-in

Anyone know where to get some IRs at higher sample rates? :D

Hello all,

I record only classical music--piano, violin, etc. Now I am thinking of switching to 24/96. I do a lot of field work, so was thinking of buying Alesis Masterlink HD recorder. I use Pro Tools LE 6.1 with Audiomedia III card, and have a few questions:

1. How good is internal A/D D/A converter in Alesis? Is it worth to get external one?

Hi folks!
This nice console has been on the market for some reasonable time already. The double wiring cards have been shipping also, 96k thru lightpipe is a reality.
I am a user of the old good 02R V2, capable of 44k/48k, limited to a/d 20 bits, but outputing 24 bit data.

The: Direct Pro LX6 PA9

http://www.musiciansfriend.com/srs7/sid=030703114247024174100009363432/g=rec/search/detail/base_id/55330

...And why? Are you impressed?

My experiments up to 192k have not shown me there to be much if any difference, and I haven't had a customer ask me for it yet.

What about you all?