I'm in the market for an 8 channel set of converters with preamps to go into the ADAT on my digi 002. I'm wondering if any of you have have USED BOTH. I know many have used one of them and will tell me that it is the best thing in the world, but I would really prefer to hear from somebody who's played with both. I know I need to get the ADAT card for the octopre, so that's not a problem.

My system (to be):
LynxTwo B into Cubase SX3 for audio recording, and a MOTU 2408 mkII with S/PDIF I/O for outboard effects (Kurzweil Rumour/Mangler).

Hello, I was wondering if it is possible to have both an ApogeeDA-16X & AD16X running through the firewire port of a mac @ 96k ?

According to the website & manuals, it can only go to 48k if both are being used? Is that correct ? I'm hoping I'm wrong.

If this is true, is there another way to have BOTH units running via firewire direct into a mac ?

I wonder if somebody can direct me.

I have a fw1884 and also a Focusrite isa428 that i would like to get the ad card for.

My question is, the fw1884 has only one optical ADAT in and S/PDIF stereo in, assuming that one ADAT connector can only do 8 channels at 44.1k could I just hook up one of the ADATs and still get 4 channels at 96k?

hey, when recording with Pro Tools at 96K and bouncing the mix to the harddrive (a Wav file), it doesn't play back, but when i record at 48K and bounce it to disk into a wav file, it plays fine. i'm sort of new at this, so is there anything i'm missing

thanks.

I have a question about converting from 24/96 down to 16/44.1:

Hey everyone,

Started setting things up for our project studio and when running the card through its paces, we found that if we recorded at the 96k sample rate things sounded like they were clipping. All of the sources were not, and when we lowered it down to 24/44.1 everything returned to normal.

hello every one . i was wondering is it possible to take a stereo track out of a computer thru MOTU 828 mk2 to the dbx DDP and thru the finalizer 96k and to the masterlink without it sounding all messed up or getting some kind of digital flanging or will it be ok and sound good ...sorry if its a stupid question and thanks for your time ...max

All of the bands I've recorded have been 44.1 expect one. I recorded this band at 96K and I noticed a difference, but it's hard to say because it's a completely different band with completely different gear. Is it worth it to record at 96K? What exactly is the difference? I searched to see if this has been tackled but didn't come up with much.

Hi guys,

Just got a slight problem.
Wondering whether anyone has any ideas as to the cause of it.
Whenever I record in 44k i get a large wave signal in nuendo, but when i switch to 96k the wave is 1/4 the size of the 44k wave and barely audible.
Any advice?

Thanxxx