I have an acoustic song i made and now would like to add some more instruments to it like drums, bass, electric guitars and maybe some keys.
Someone told me there is sites where you send your chords in and they will make you the instruments for mixing.

Hi everyone!
First post to this forum, but thanks for the wealth of information here!

I have heard it said more than once that fresh strings are a prerequisite for a recording session. Being one who changes their strings fairly often, this is never a problem. But the other day, I picked up a used guitar that was quite inexpensive due to some issues, and decided to record it, before doing anything to it other than truss rod adjustment.

hi, I'm a student studying music technology in Wales UK.
I'm currently writing an essay and my task is to theoretically convert my bedroom into an studio production studio but concentrating on soundproofing and acoustically treating as the main topic.

I'm trying to decide between the nt5's and the mk012, mp.

I need something that I can also use on acoustic guitar and overheads, and some day I'll get a better SDC for acoustic guitars etc. But for now I need something that will work well with both.

I have an Ibanez acoustic electric and an Audio-Technica AT3035 condenser mic. I've been getting half decent sounds mixing with the Ibanez' preamp/eq for straight in recording and with just Micing the guitar, but it could be much better. Maybe there's a low budget mic good for picking up acoustic guitar, I don't know.

Here is my newest composition I've written. Would love some feedback!

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We all know that acoustic guitars come in an infinite range of qualities and voices, so I am wondering if the quality always corresponds from live listening to tape.

I hear that double tracking is a nice way to get a full acoustic sound. I also understand that it is typically done with two mono tracks, but I am wondering if it can be done effectively with two stereo tracks, done in XY configuration, or is this overburdening the recording?

Is there any overwhelming advantage to recording acoustic guitar with two or more mics? As a general principle, would better engineer's prefer that everything come together on one mic, or would they prefer to have two or more sources to work with?