I'm a little confused on why most consoles have less buses then inputs available, whether analog or digital. It seems much easier when I'm working on a console that has a bus for each input track, then you can separate each mic/line to it's own track in your software.

Rebuilding a mobile recording trailer, looking for some input on consoles. Need 48 In, 48 Out. Looking for something in the 20k-45k price range.
Got a couple ideas but seeing what gets suggested before I mention any on my plate.

I saw a Samick SM-1200 Mixing Console for rather cheap (40) dollars. Is this worth buying for the price, or is it junk?

Anybody have any opinions on the AMEK Bullet Tac B2?

Hi there,

Hey, I've posted here before and I'm back lol..
But check it out...Say for example you have an SSL board.. Neve.. or something big and analog like most big studio's have...
Would you need an interface to go along with it to record into the computer?
And would the interface change the sound that comes out of the board?

I want a digital surface that can control my Cubase application, Please list me all 24in digital console that you know and I'll see the range of price then I'll be able to make a choice!

Thanks a lot!

Hello.

I new at this forum here, and sorry if you find my english a little to low, i'm from denmark. Hope i post this subject in the correct place.

MC and HNY to everyone.
Some time ago I delivered a 2 channel-strip module from a MCI-made (now Sony) JH-600 console. It worked really well until the owner lend it to someone else for a few recordings. When he he got it back it did nothing at all. So he called me again to have a look at it.

Hi,

Some background before my question:

I just purchased an Alesis ADAT HD24. I got a really good deal on it new. I didn't get the XR, because I don't care about 96kHZ recording. I am not scoring soundtracks for film, not producing or recording music for DVDs, etc. nor will I ever be. Don't need it or want it. CDs are still 44kHZ, and that's my focus.