I have a Fender Champion 20 guitar amp and a Pyle Professional PAD43MXUBT mixer. This mixer doesn't have a HiZ guitar button on either of the channels. I haven't plugged the guitar into the channel and increased the gain to see if it gets enough signal. If it doesn't, can I take the headphones out from the amp and go into the mixer's line input on channel 1 or 2?

I’m running aux sends (two linked mono channels) out from presonus 24.4.2 into the direct (stereo) input of a behringer ha8000 headphone amp. What should my headphone choice be?…. The less expensive the better.

In the quest for the ultimate sound experience, especially for tasks as crucial as mixing and mastering, one often encounters a myriad of choices. The Beyerdynamic DT 990 Pro headphones stand out as a notable contender among studio-grade headphones.

We're doing music lessons via Zoom. I'm recording video via a camcorder connected to capture card. And using USB output from a ZED10FX mixer (voice mic, guitar and backing track) as the "mic" in Zoom. Using a TV as a monitor for the presenter to see the student. And using the speaker in the TV for the student's audio.

Hello everyone I'm brand new to this forum and I'm brand new into the recording world and looking for some advice on a particular set of headphones.. I can't seem to find reviews on the Sub zero SZ-MH200 headpnones themselves only the manufacturer.

Don't ever buy wireless headphones for music composing.
I wanted to cut the cord and get some headphones that didn't hurt my ears after 15 minutes or so. Also thought it would be nice to jam on some bass to songs without the corded headphones. So I bought these PowerBeats3 wireless headphones. Bad mistake! One word: Latency!

Hi gang !
I'm aiming in all directions with my current headphone amps for the artists.
I do have a Behringer Powerplay Pro-XL HA4700 but it's design makes it receive only one stereo signal and/or 4 analog. I currently use my old (preamp defective) Focusrite Liquid saffire 56 via ADAT for 2 more headphone amps and I keep my RME FF800 headphone out for me..

I'm shooting some music instructional videos in a residential home basement. Due to problems with mic bleed, I've convinced the subject to wear headphones for listening to himself, and his assistant musician during the shoot as opposed to speakers.

Is it possible to create a commercial-quality mix on headphones? What to look out for when mixing on headphones? How to turn a good pair of headphones into a great one?

Backed by years of experience in over 25,000 recording studios as well as thousands of headphone measurements in Sonarworks labs, we know what makes or breaks your mix.

Hi all,
Looking for some help here...