I am doing research on the subject of Mastering for 5.1 channel delivery. I need help finding information on the subject. I'm looking for links to web published papers on the subject, books and articles. If you are a mastering engineer with experience on the subject I would like to interview you. Any tips or advice is welcomed and greatly appreciated. Thank you all, Jeremy Whaley. .

Hi

A query here about getting from 24 bit 44.1 kHz sessions to 16 bit 44.1 kHz files.

Usually I BTD the session and import into a 24 bit session where I use mastering software and lastly POW-r dither on the master fader, then I bounce to a 16 bit file.

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Hello all,
Does anyone know of a studio that can mix and master tracks I have recorded on 1/2 inch tape. I do not want to have to take my machine to the studio with me. I would like to find a place equipped with an 8 track 1/2 inch tape machine so I can just carry the reels with me. I'm in Atlanta, but would consider shipping the tape if I need to.

Hi,

what mastering house will be the best for me?

Price/Quality... I know that those two things doesnt go together very well...

But... Can I get a good mastering for 100$ in LA?

I have a 2 friends who has a mastering in LA. One has a price 100$(DIGIPREP) and the other has 250$(MASTERING LAB).

Just wanted to let everyone know that http://www.waves.com has released their new Mastering Bundle with the L2 plugin . You can download a free demo. Let me know what you think of it.
Thanks.
Allen :w:

I have a custom built mastering desk with the normal stuff on it plus a few extra gadgets on it like separate sum and differance controls with inserts on those also so if a mix does not have enough vox or kick or center itself I can Sum those to mono also with the sides. But I still have a 1/4inch gold patchbay. And I want to switch over to a relay patching matrix.

I just picked up Waveburner for the Mac and it looks very promising as a replacement for MLCD.
My problem is in finding a Firewire CD burner that is compatible with this software and my Mac. Emagic's website is not a big help as they only mention mechanism numbers and not the actual models.

My band is ready to hand off our self-produced CD for mastering. Several of us have done recording projects before, but they've all been provided to mastering on DAT; this time around, the whole record has been done (and kept) in 24-bit on a PC DAW.

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