Is there a console or an interface that has faders on each channel that you recorded that you can adjust the level of the highs and lows? or is there just a fader for volume? Because i know you can get an interface like the M-Audio project mix that has the auto fades. But is there something that i can hook up to my pc that alows me to do that too, also not owning any pro=tools gear.
Hey, i'm very new in the world of surround mixing. I was wondering what are the requirements.
Is the any way to use the Realtek ALC850 on Nuendo for 5.1?
If not, what sound card do you recommend?
Hope someone can help me, thanx!
hi...
I'm mixing a bunch of tunes that will support a live performance (a play). Most likely the performance will be in some sort of hall with tons of reverberant decay. I've never done anything like this before and I'm worried about making inaudable (or too wet) tracks.
Hello everyone. Here is the deal. I am in the military and they pay for my schooling, if the school is Accredited. I have found an accredited shool for Mixing and Mastering. Im looking to become a Mixing/Mastering engineer.
This will not be the only schooling I will recieve, its a starting point.
ok, upon doing some research I'm keen to get some good quality reference monitors... so I truely hear my mix... I work at a radio station we use yorkshire? anyone heard of these? they are hot mointors... anyway
my thinking is Maudio BX8's, KRK RP8's, Event ALP5 or Alesis M1's.
those are about in my price range.
Here it is in black and white "I like the tone of reasons scream distortion module". There I said it, maybe its a bit embarassing, but its a guilty pleasure I have. I sample my drums from Pro Tools and import them as .wav files into reason to eff them up ALOT. Did i mention i do this to live drums that my drummer plays? I think i also failed to mention its multi tracked drums i do this too.
I put kick on -5 db, but when i turn up my bass even for a litle my song start cleaping... I know its some kind of frequency "clash" so my question is how to "correct" this? Or how to find exactly where is that freguency "clash"?
I'm sorry cos of my eng, i hope u understaind
I am going to be recording a Pipe Organ in a Cathedral, and I was wonderin if anyone had a good techniques in capturing a great sonic sound. I will put a list below of a couple of microphones I was thinking about using.
(2) Sennheiser MKH20
(1) Neumann TLM 103
(2) Sennheiser MKH800
(2) AKG 414
(2) Neumann U87
For the past few months I've been mixing hip hop for some friends of mine. i have experience mostly with rock so i referenced quite a few brand new, mainstream hip hop albums. This is where my questions lie:
1. It seems as though almost all( if not all ) of the instrumentation/vocals are panned dead center, w/ the exception of chorus background vocals. Am I wrong?
Everytime I record the drums, I always get this nasty ring coming out of the snare, and whenever I mix, it's always difficult to get the right EQ settings to remove this "ring." If someone could please help me with this issue, I'd greatly appreciate it!
PS. I used two SM57's on the snare and they're placed on the top and bottom.
Thank you!
