M/S Mastering
Mid-side
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A coincident-pair stereo microphone technique using a forward-facing unidirectional, omnidirectional, or bidirectional mic and a side-facing bidirectional mic. The microphone signals are summed and differenced to produce right- and left-channel signals.
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SPL M/S Master
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Here is a press release that I just published. I find it especially interesting and timely because I am really jacked up over OTB summing. Now this has just been released.
SPL introduces a new powerful analog tool that can manage M/S signal separation and integrate external processors seamlessly
Maybe some of you might want to chat about this here.
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Mid Side Concept
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Didn't want to distract from the point of the other thread. Jack, have some morning juice, you're not making sense yet :D
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Noticed something about mid/side
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I suppose this may be something that is obvious to most people, but I didn't think of it in advance, so I thought I would start a thread. As I mentioned in another thread, I've been recording very soft acoustic guitar in M/S with Beyer 160/130 ribbons. I decided to try recording a bit closer - moved in to about 12 inches.
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M/S Compression Setup/ ITB/Sonar 7.0.2
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I have been everywhere without a clear cut explanation.
Maybe you guys can help...
M/S Compression/Mastering/In The Box
I am looking for a definite routing scheme to use in a mastering situation.
I have one stereo track with the song loaded onto the track.
This track is output to the Master.
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MK21 vs MS - Choral Recording
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Hello everybody,
here is a link with three sound files (all together 19MB, so not too big)
It's a short segment of a choral recording.
1. Schoeps MK21 pair (110/30cm)
2. Sennheiser MKH30/40 MS pair (on the same bar as Schopes)
3. even Mix of MS and MK21 pairs
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M/S micing: substitution of bi-directional mic?
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I've been wanting to experiment more with the Mid-Side technique, but I don't own a bi-directional / figure-8 microphone. Would I get comparable results standing in two identical cardioid LDCs for the side mic? Some provocations:
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Mid-side stereo recording question
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Hi
My understanding is that in mid-side stereo recording, if a stereo track gets played in mono, the side elements cancel each other out, leaving just the mid component (this arrangement aids mono-compatablity).
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m/s decoder
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sorry to repeat this question from another thread, but i'd really like to know...
is there any stand alone m/s encoder in the market? a web search reveals nothing other than mic preamps and portable recorders with built in encoders...
thanks,
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