http://news.yahoo.com/s/ap/20070907/ap_on_re_eu/europe_sounds_of_silence_1

the sd302 + Korg mr-1 (+3x milab dc196) looks like a fab option for what i want to do. I am doing my research at this point, am not going to buy anything just yet.

i get easily confounded by tech speak, help me here please. Whats particularly confusing is that everybody uses different standards and terminology to spec their products.

Please read the following before answering that...

I'm referrring to a particular recording, and to the tweakhead mentality in general.

Okay, so I know there's nothing new about the NT4, but it's new to me.

I'm wondering if anyone has had success with using cardioid pattern ribbon microphones as a main pair for choir and what mics they were.

When one gets to work with truly world class musicians in such a wonderful space!

The clip here is of horn player Amy Smith of the US Navy Band and a floutist (whose name I don't recall, but I played with for several years in the Washington Symphony Orchestra).

My daughter is a sax player, and I may be recording her in various ensembles this fall.

The thread on recording solo piano got me thinking about the challenges of spot Micing piano on chamber music concerts. I record a lot of chamber music with piano. Generally, there are two to seven string players or wind musicians situated in front of the piano. And they all like to snuggle up to the piano and play right in front of it.

Hi !

I'm about to buy a schoeps omni stereo pair. I'm hesitating between MK 2S and MK 2H.
I'd like to be able to use it also in direct field. MK 2H would be fine ?

thanx

This is my first post on this AMAZING forum. I found this forum about a month ago and have spent at least an hour a day here reading. I have learned so much already its crazy.