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Production Values Today...Compared to Yesterday

I'm sure I'm going to get flamed for this, but..

what do people like so much about the Abbey Road kick sound? or the entire recording for that matter.

Maybe it's because I'm young (19) but I just don't get it. I listen to it and to me it just sounds so. weak. It sounds distant, or something.

First real production. the question is..

Here's the scenario,

I was asked to produce a song - I didn't have anything to do with the recording of the music, but I arranged to get the artist on the song. I did no writing with the artist... but i will be the one to mix the track.

The song is to be put on the artists upcoming LP, my question is, what rights do i have and how do i get a piece of this action?

What mics to use for location video production?

Forums

I am looking at buying mics for my edirol 4 pro hard disk recorder to use on location for short films/weddings/documentary work. I'm thinking of getting either a Sennheiser me66 or 67 and a radio mic (lavier/handheld). I am open to suggestions for a omni directional mic for ambient sound recording and any other suggestions that you have.

Audio Patch panel in video production studio

Last week I came in a studio which uses a Mackie 1604. It is hooked up to a patch panel which links it to the different recorders and computers. Everything is connected with TRS jacks. The patch panel is a stero patch panel. But i saw they only used Mono-jacks to patch the signal. A lot of equipment uses balanced signals( Mackie 1604, dvcpro recorder, edititing stations end so on)

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