http://www.headchemists.com/free/RunningInFall.mp3
http://www.headchemists.com/free/Legacy.mp3
http://www.headchemists.com/free/ElonOak.mp3

Hi there,

jp was right guys, you can make a song more dynamic with only eq! cut out the squished mids so it leaves the kick and the hats, vola nothing but dynamic! (yes I'm kidding on this part.. duh)

Hi,

I'd like to know, are more of you charging for studio time by the hour or by the song?

Does anybody know why this could be occuring, or what I can do to prevent it.

You input would be greatly appreciated.

Did I make a mistake in switching from Cakewalk to Cubase?

Assuming that comping and most garbage cleanup is already done, is a full day a standard amount of time to spend mixing a song?

How long does a normal pro engineer spend mixing a song?

I'm looking for good trustworthy sites where songwriters can post their work. Any advice greatly welcomed.

need a thread that can be referenced.can only speak for myself but it would be enormously helpful in knowing some of the equiptment use to record famous tunes.have read behind the glass by howard massey and as a reference i have all the gear used in that book highlighted.it's just so great knowing just what gear in the right hands is truly capable of.keep it simple artist,eng,song title,known

Hi there! If you have a song that starts off dead quite say just an acustic guitar and a vocal and slowly builds to a full on rock herdling distorted guitar ending how do you still make the beggining of the track start load, volume wise, without loosing that quiet feeling. Iv heard similar effects on proffesional recording but am unsure of the clever remedy. Does anyone know the secret?

If I have songs that I would like to sell to other artists how do I go about doing this? I already have the songs recorded and have copyrights for those songs.