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HUM Audio N-Trophy Console

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Submitted by Studio Jiimaan on

Was anybody at NAMM 2024 and see the HUM Audio N-Trophy console? This new console seems very well thought out. Even over engineered. While still providing a myriad of tools at the engineer's hands....while still being easy to work on. Is this a console that is a revelation to the usual LFACs? Just curious on others' thoughts.

Music Industry Hackers University

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Submitted by MusicHackers on

Music Industry Hacker University is the first and only online school that offers a comprehensive education in all things the music business. From the business side of things like music marketing and artist management to the more creative aspects like songwriting and music production, we cover it all.

One of the most enjoyable projects I've worked on recently

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Submitted by PJH on

I've known David Myers for many years and never knew that he played piano. He mentioned one day that he'd like to record one of his original tracks and asked if I'd produce it.

 

The track was recorded and mixed in Cakewalk by Bandlab. Guitars and bass were recorded direct using the Kemper.

Creating a larger drum sound. How did I do?

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Submitted by benhj on

Hey All,

This is my latest composition that I recorded over the last week. As usual, I mixed it on headphones.

In contrast to some of my earlier recordings, I though I'd try out a different drum kit (courtesy of EZDrummer) and tried to sharpen my programming skills. I quite like the sounds -- seems quite 'live' but would be interested to hear what other people think.

Recording Grand Piano

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Cubase
Submitted by paulears on

Here's the reposted item on how you can record grand pianos - I'll explain what made me do it. It's quite common to record what I've always called 'natural acoustic' recordings. Solo singers of all kinds, or duos, small ensembles or choirs - often in really nice venues with great acoustics and it's the sort of thing that seems to encourage stereo recording techniques.

Ripping stems: Tips and Techniques

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Submitted by Gillyrog on

Hi all . I'm new to both this forum and to STEMS. I am using RipX to rip my stems and my DAW is Ableton live.

As anyone knows the success rate with ripping stems is a bit hit and miss. Sometimes the main instrument stem/track comes out badly ...words to describe the sound would be very fussy, phasey, broken up, space-age, clipped etc. (if you know you know !)

Mixing horns with guitar driven blues

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Submitted by benhj on

Hey Everyone,

I've been playing around with the Horns virtual instrument in Logic again and come up with the attached track. What do people think? Is it a little too busy in places.. (?) I was going for a big-band blues funk kind of vibe.

- I used Bias Amp 2 for guitar amp simulation (I played all parts on a LP 2015 Traditional).

Cassettes are not dead for some things in the UK

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Cubase
Submitted by paulears on

I was chatting to my son about the British really popular Police drama Line of Duty. I was interested as he's a Police Officer here. I expected him to moan about Police process mistakes, or the things they do, but no - his complaint was the interview recorders which are the latest type - solid state and  when you hit the button they make the long loud tone, before they start recording.