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Vocal Tracking: Compressor vs Compressor

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What is the logistical difference between side-chaining a compressor through an equalizer to compress only certain frequencies versus just applying a multiband compressor affecting the same frequencies? (for instance when tracking vocals)

This question arose from Dallan Beck's book The Musician's Guide to Recording Vocals

Vocal Compressors, Microphones

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What are your favorite of each, for maybe around $100 each? I don't have a problem with Behringer and I don't want to go too crazy especially because I'll be having this in my dorm room.

I already have -> Firepod, SM57, and AT2020 for microphones. I want just one more mic and a vocal compressor so I can play + sing at the same time and have a more leveled out vocal track.

Vocal Compressor / De-esser help please...

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I would like to find a nice warm compressor to use for vocals, but also one with a de-esser so I don't have to multi-band that out in post. Is that something that is usually combined? Or is that something that needs to be a separate piece of equipment?

If I get a multi-band compressor, does it still have an overall compressor that is not band-specific?

Your Pick for Primo Vocal Compressor

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Of the compressors available today, what would you recommend, with the assumption that it would be used mostly for vocals? I've been narrowing things down a bit, and here's what looks good:

UA 1176N
UREI LA2, LA3 or LA4
Empirical Labs Distressor
dbx 160S or 160SL
Manley EL OP (or, really, and of their comps)
Purple Audio MC77
Drawmer 1968

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