WA-14 Large Diaphragm Condenser Microphone
Introducing the WA-14 Large Diaphragm Brass Capsule Condenser Microphone, which is based on the classic condenser microphone from the 70's that has been used on countless hit records. The WA-14 utilizes fully discrete classic circuit topology, including an all-brass CK12 style capsule design by “Lens Kondensator” and a custom premium CineMag USA transformer. The WA-14 can be used on an array of sources, which includes: punchy and warm intimate lead vocals, aggressive guitars and heavy percussion. The WA-14 provides a realism and thickness that is true to the vintage sonics, but now at an affordable price.
MSRP - $ 499 • Available Summer 2017
WA-412 Four Channel Microphone Preamplifier
In this video for Pro Tools Expert, Technical Editor James Ivey takes a look at the new WA-412 quad mic preamp from Warm Audio. "Warm Audio is on fire at the moment with their recreations of classic gear and the WA-412 is no exception". ~ James Ivey of Pro Tools Expert
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Works quite well on the male vocalists who tend to bump down int
Works quite well on the male vocalists who tend to bump down into the bari ranges...or at least have enough chest tone to muddy things up. I like it on voice-overs for this purpose. Add's a little 'air'....The Warm does have this feature except the control is (unfortunately) on the back....Easier in a rack if it's upfront.
LA2A Calibration Meter Zero Adjust The zero-adjust of the meter
LA2A Calibration
Meter Zero Adjust
The zero-adjust of the meter is set by the screw-adjust potentiometer located next to the
Limit / Compress Switch. To adjust this, put the meter into Gain Reduction mode. Make
sure that there is no signal present. Loosen the locking nut and use a screwdriver to adjust
this potentiometer until the meter reads zero.
Side-Chain Pre-Emphasis (R37)
The LA-2A was designed for use in broadcast applications. The audio signal in FM
broadcasting undergoes pre-emphasis and results in a 17 dB boost at 15 KHz. Due to this
increase in signal level, transmitters are subject to over-modulation. The LA-2A provides a
control (R37) which controls the amount of high-frequency compression.
This potentiometer is factory set for a “flat” side-chain response (clockwise). Increasing
the resistance of this potentiometer by turning it counter clockwise will result in
compression which is increasingly more sensitive to the higher frequencies.
Stereo Balance Adjust (R3)
For stereo operation, two LA-2A units are interconnected in order to achieve the same
amount of gain reduction from each of the two units to maintain stereo imaging. In order
to accomplish this, terminals 6 from each unit should be connected together. Additionally,
their grounds (terminal 7) should be connected together.
The interconnecting wire should be less than 2 feet in length and should be shielded. The
shield should be used to connect terminals 7 from each of the units together.
To calibrate the units for stereo operation:
!
Connect the units together as described previously.
!
Turn the Peak Reduction knob counterclockwise (no compression).
!
Set R3 on each unit to a clockwise position.
!
Set each meter to read Gain Reduction.
!
Adjust the Peak Reduction control on the left channel until approximately 5dB of
gain reduction is achieved.
!
Adjust R3 on the unit that shows the greatest amount of gain reduction until the
gain reduction indications are equal.
!
When operating, set the Peak Reduction controls to the same setting on both
channels.
Cool, I had no idea. Thank you guys for bringing this to our at
Cool, I had no idea.
Thank you guys for bringing this to our attention and explaining it all so well.
Does the wa-2a have this?