I'm doing an independent film project this spring as a freebie (cuz I'm interested in the project). The end product will be an MPEG video clip with stereo audio track. The images are a series of stills (300-400). No audio will be recorded until "post", then it'll use voice-overs, flown-in ambient sound and "foley" type fx.

I just stumbled across an AKG BX-20 in very good cosmetic condition. Wear on the edges from moving it around, but no evidence of any big hits or other abuse. I am going to get a chance to listen to it tomorrow. I'll admit NO experience with these things.

This is a little too expensive for the "Sleeper" thread, but they are damn cheap compared to other tube Neumanns. Can anyone explain what these are exactly and how they compare to the more well known U series Neumanns.

What bitrate (16, 24, 32, 64) should I record wav files prior to burning on CD?

Yep--right down the road from Mars--which is right down the road from my favorite oldschool pro audio shop.

I have a mix being played on FM radio tomorrow. Considering the amount of Compression/limiting that happens at FM stations, would I be better to send them a version that hasn't been compressed/limited across the mix bus ? I always do two versions of each mix - with/without mix compression.

Step 1: Mixing is an attitude.

Let's explore this for a moment. Mixing is an attitude. What attitude? What does this mean?

This may not be the most approriate forum for this question but as I have read the posts of Fletcher on RAP for a couple of years, I feel confident he will have the most concise direction.

I recently added a 2" 24 track to my studio setup that includes 32 tracks of ADAT XT as well. I currently have the ADAT I/Os and the board I/Os linked in a patchbay.

This thread is all about "tips and tricks". Anything else will be deleted. :roll:

I need plain, remedial instructions on how to sync a Korg Trinity sequencer to XT20's thru a BRC.

We need to break out individual tracks of the sequencer and transfer them to the ADATS.

Also, may need to have the Trinity play back in sync with the ADATS during mixdown.