Hi,
Has anybody used one of these? How do they compare to the 409?
Thanks,
Geoff Ruby

I wanted to take this opportunity to let you all know what
generally was covered at the show, and to let you know that
we have plenty more in the works for Soundscape in the coming year.

Hey, I'm not too proud to ask. We're all learning!

I love my mixes on PT. I use lucid converters, Great River preamps, a couple kinds of compressors on the way in. Clarity and imaging are phenomenal. The bottom end stays rock solid.

Opus 2000, I need your help. I'm trying for the fourth time to get Layla24 and Cubase 5.1 to work over W2K. Clean install, not upgrade on FAT32. Audio disk is formatted with the /z:64 switch.
I have an ASUS CUSL2 mainboard. no onboard audio.
1000GHz PIII
10GB Quantum system disk.
20GB IBM audio disk. Both 7200 RPM ATA100 IDEs on separate channels.

I know this is going to sound like a really basic question. I have been trying to get MIDI playback to work for a few days now, and have read the manuals, still nothing. I know that I am missing something really simple here...can anyone give me some pointers?

Hi,
This is my first post to this forum I appologize
in advance for any stupid questions.

If you have a song with a lot of different guitar parts that need taming to blend together better, would it make any sense to put them all into a sub-group and use one main compressor on them all, or would you treat them all separately?

:w:

Hi, I have a question for the pros out there!
I have pretty good results recording snare, but I wanna know what compressors (on Protools) should I use to get that powerful snare that you hear on rock bands these days, and what would be the settings of the compressor. I have all the bombfactory and Waves compressors. thanks

I was wondering if some one could run down their method for comping vocals in PT. I've got a pretty good grasp of the "takes" and all but I have a feeling that there is a better way than I have discovered to assemble the comp. (and probably more than a few methods out there)

Here's a subject I don't recall being discussed lately. It seems many mic preamps these days have high-z DI jacks built in. In my case I've got 'em on my API 3124+, Vintech 1272, TUBE TECH MP-1a, and Demeter H-series. I also happen to have dedicated DI boxes in the form of an Avalon U5, anda couple of Countryman Type 85 FET's.