Hi,

I haven't been around much lately, apologies.

Some cool news from the recording the world front:
RADAR 24 is being used as a multi-channel 192 kHz master recorder for re-releases of classic albums in the SACD and DVD-Audio format in both NYC and LA.

Yeah!

I'm ready with the Blatchford mix. How should I deliver it back? Is it supposed to be sent back to pointman on CD or upload somewhere? I tried to find info on this, but did not.

Be seeing you!

Pitk.

I use wavelab, have been content with but wanna no if theres something better out there. name a few others if any if u want

I am starting up a brand new free email newsletter dedicated to tips on recording

http://www.philpark…"]Recording Tips[/]="http://www.philpark…"]Recording Tips[/]

Jules, can you recommend a good mastering facility in London.
Many thanks

I have a client that has created a Logic song on a MAC in SDII format. I have a PC. Apart from saving as ISO9660 ? is there anything else I need him to do (i.e. convert to .aiff, .wav)?

-Peter

Which A/D converters with 8 or more channels are out right now? Which one do you guys recomend? I know about the:
- Alesis AI-3 ($400) - this one might suck :)

I have a sh*tty little room to record drums in. Thus, My overheads sound like drums in my sh*tty little room. Very cardboard box like. I have started using a pair of dbx 160x's on them. The attack that the comps help me get is a great improvment, however they still sound like cardboard.
Should I roll all the lows off and just go for crisp and thin?

I was wondering, do you think we as engineers can band together and pass legislation that anyone who doesn't put tones at all on analog reels be flogged? I just something happen today that makes me wish we could.

Other than the compressor is there any difference in how they sound?

Anybody own both?

Need opinions.

thanks

ed