Glad to see this forum is here for Core 2 users; even though the card has a bad rep...
I'm currently building a new PC for my DAW hoping it'll work out some of the problems I've had. I've been using an AMD K6 2 500, but have come to realize that I probably need an Intel machine... Anyway, hope to hear from other users (if there are any here. :) )

thanks for your patience, i'm using 1.5.2 and I if record SYSEX than try plying it, it works fine,
here's what i do step by step
-create a project
-check midi filtering settings (remove sysex flags)
-record sysex dump from my virus ;)
on one of midi track
-then change setting on virus
-play track from the beginning

Hi, I am new to this forum and wanted some advise from the pros. I am going to be recording a CD in the next month or so and wanted to know is it worth mastering it? I ask this not because I am an idiot but because the whole thing is going to be recorded on my digital 8 track (Fostex vr800/vm88).

Hi, I was wondering if anyone can help. .I usually record live instruments, guitar and bass etc. . but decided to try my hand at electronic music, all software synths and drum machines etc..
But I came to a problem, I need help with the compression af the tracks,

I have been having a very frustrating ordeal with trying to get rid of the clicks/pops/noise on my recordings. I have been very thorough about trying many optimizations but nothing has worked yet. If anyone could help me I would be forever in their debt..

I have always recorded using good guitars and amps (and players when we get them :roll: )so much so that we have a fairly nice collection of both here at the studio. But I have also been reading that the PT guys really like the Amp Farm. Assuming that the Pod is some what the same I am curious as to what everyone thinks about the Pod and what are some of the things you do with it.

Hiya. Deciding it's time to add a sampler/sequencer to my home studio rig (I'm in a race to catch up with the 80's :roll: ) which is based around an Otari MS-5050 8HSD, the reason being I don't think I'll ever have the propper space for a drum kit. So the problem is I have no idea what gear I need to do MIDI sync.

Hey guys
I'm after a bit of legal type advice... here's the deal.

I realize that many of us with small tracking facillities can't get necessarily get something like the Dunleaveys (sp?), for mastering but I would like to know what you mastering experts consider the criteria for your monitors and what your choices might be.

Anyone have any correct info on the differences between current 414UBLS, TLII, and the 414EB. I understand some of the early EBs had C12 capsules? Sonically what's the difference?

thanks,

raregroove