No, today, my question is: Why are THEY so freakin' loud that they're over ZERO and into the red?

Surfing around I found a thread about mastering with T-Racks. I've never heard of it:confused: I'm thinking, wow, I've got to check this out, maybe I'm missing the magic glue, fairy dust or something.

Love the pictures of all those plugins. They sure look like the real deal.

This might not be an issue at all but wanted to ask as I'm new to DDP Creator.

Basically I import my Wave from CD Architect which has all of the track breaks, ISRC codes, etc. included but I noticed that the ISRC code for the first song is alligned with the 2 second break before the first song. Is it just assumed that the break is attached to the first track so it's all the same?

Ian Shepherd discussing the 2012 Green Day Remaster .

Hi - hope you can all help. I've had a run of glass-mastered CDs made and they've just come back with this fault.

I thought that the interview with Tim Debney and Nick Watson at Fluid Mastering would be interesting in case you've not seen it. The thing that is most interesting is the mastering engineers perspective and the way they look at material supplied to them. Fluid is a top London mastering studio and the guys used to work at Townhouse so have a lot of experience.

http://www.youtube…"]f.e.a.r. MISANDRY vocals - YouTube[/]="http://www.youtube…"]f.e.a.r. MISANDRY vocals - YouTube[/]
lyrics
i want to thank you males are females now

Please let me know what you think about this PLEXTOR - L890SA?
I need a slow burning drive with the PlexUTILITIES for mastering. This one comes with it and it's not expensive.

i know that a slow mastering burning at x2 or x4 is good, this one i'm not sure if it goes below x8?
Can i use this Plextor? Can anybody recommend or help me with this?

Hi all,

Hi,

I’m a bit confused about the “radio ready song ” version vs the “brick wall”