Hey there,

I hate to do this. I have to. I want to mic my drums. So here it goes...
I have a Shure Sm57 as an overhead mic.
I have an Audio-Technica At2020, (Which I'm cleverly using as a bass drum mic.) I might try to use it as an overhead.
And I have a Focusrite Scarlett 2i2.

The new Ocean Way Microphone Collection plugin for the revolutionary Townsend Labs Sphere L22 microphone and UA Audio Interfaces expands the capabilities of the Sphere microphone system

Hi, need help deciding on mic and comp for live performance.

Good evening all!

Sweetwater’s Lynn Fuston and Mark Hornsby with the help of Millennia HV-3R mic preamps, a few assistants and two studio vocalists, evaluated 50 vocal mics at their Russ Berger-designed Studio A.

I'm currently trying to use my new RODE NT1 microphone to record into ableton. I am using a Scarlett Focusrite 2i4 as my audio interface. I am aware of the need for phantom power and have the '48v' button switched on on my interface. Although I have the phantom power on the interface seems to be receiving no signal from the microphone.

So for years now, at least since DAWs have given us the ability to move audio files around by infinitesimal amounts within a time line, I've both read and talked to other engineers about time aligning the overhead drum mics to the Snare and Kick...
I know there's also software available that can apparently time align those mics/tracks, although I've never used it.

Hi.

I am always a sucker for cool, older microphones that critics say still have great mojo. I was interested in enhancing my inventory of acoustic instrument microphones (guitar, piano, drums, winds), and read some articles about the 1970s-90s era AKG C451E. I found a pair for a good price, and just got them today.