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Mic decision. .

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I'm fairly new to recording, and am 17, and on a BUDGET.

I'm either thinkng of getting a pair of at4050s or an ADK Hamburgs.

I need 2 for stereo recording guitar and piano. the AT4050 is better than the Hamburg, right? I mean it costs lots more. But I don't think I can afford 2 4050's. Is it a good idea to get a 4050 and a hamburg for stereo recording, or is that a bad idea?

Oxford Dynamics and EQ plugins

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Oxford Dynamics and EQ.
Compared against anything UAD offers, which I have, are they worth 2 to 2.5X ? 550 for the EQ seems pretty pricey, especially with no demo for me to try AFAIK (gave all the demo's a once over about 6 months ago), same with dynamics. Then again I have a buttload of compressors available to me with UAD and 3 cards to spare, but only 3 EQ's.

Vocal Air/Sheen - Mic? Pre? Comp? A/D/A? All?

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I record only my own vocals, no instruments. I'm a baritone, with harshness right at about 2k, singing mostly pop and easier-listening music. What I want to achieve is to be able to capture/produce the smooth, high-frequency air/sheen. I don't have the resources locally to demo recording equipment, so it's hit-and-miss, and so far, I've missed.