Hi Sebatron ,

TLM 103 is a bright mic, from 3K up, there are about +4db increase. Do you think Sebatron is good for TLM 103 mic for voice? What does the "Bright" switch mean? add some +db in high frequency? If that is the case, It might be too bright for the mic.

I bought some SP C4's a month or two ago and the damn mic clips are too big to hold the mics.
Because of this I havn't been able to use them.
I really wonder what they sound like? :?
Can anybody help? How do I get new ones to replace these?

Is this done with a sound source and a spectrum analyzer? Or just by ear? How similar is matched?

TIA

RR

G'day eh.

I've been listening to Emmy Lou Harris, Wrecking Ball lately, and there is something Daniel Lanois does to that vocal that is just...different. There's a gentle 'edge' to it that is truly compelling, and that I miss as soon as I plugin the next disc, whomever it might be.

Hello Everyone,

I am looking to buy a decent mic to record classical flute. My budget is bellow $1,000 dollars.

I am looking for a mic that doesn't highlight the top end, and is warm and full bodied in the mid-low range.

I have been looking into the AT4060 or RODE K2.

Any suggestions are welcome,

Thank you in advance,

This probably goes under the mastering context, but how many of you have found the volume war translating out to acoustic music?

I will do dynamic manipulation- especially to the performances with massive dynamic swings. However, I have a chamber music client that has been killing me with requests for less dynamic range.

I just ordered a K2 today. Was wondering about other peoples experiences using a tube mic (specifically the K2) on cabinets...
Thanks

I just purchased a RODE K2 today. was hoping for some tips on upkeep and use. I haven't ever used a tube mic, though some studios i worked for had them. Anything will be appreciated...

Okay let's say I have a limited budget(true) and let's say I have not yet bought my gear(true) and let's say I won't have clients looking over my shoulder and asking 'why there is the noticeable absence of a U87'(true):

If I'm reading you guys right, I'm hearing that an SM57 can sound like gold run through a great pre, but a $2G mic sounds like yik run through a cheapo pre-amp.

Probably not as exciting as it sounds, but somebody dropped around a Sennheiser MD421 which looked to be too old to be useful, I thought I'd ask if anybody has any experience of these mics.

Its marked as an MD421-U-5, serial number 20947, and the clip slides onto it and is just held by gravity so it didn't look to be of much use.