Hi all,

I've been looking at the Pod series of audio interfaces. For example the Pod 2.0. I'm wanting a guitar amp simulation device and quality effects.

Well... I could really use some feedback on this. I just test-recorded a piano (Steinway Grand 1990). In a few days I need to do a whole CD (piano & cello). Mainly Schubert.

This was my setup:
KM184 in ORTF - 25cm above the strings (detail)
(Left 30) Low strings 0dB
(Right 30) Treble strings -2dB

Hello...
First of all, I don't care for windows 7 (32-bit) and have been forced into using it.
I do audio editing, radio show production, etc... with Adobe Audition (have been using xp and audition 1.5 for years without issue. I have a p4 3.0gh, 2gb ram, M-Audio Delta66 with the OmniIO module. When upgrading to windows 7, I also upgraded to Audition 3.

Hello Friends, I need a favor, never before have had experience with the AKG C12 and a few months ago my partner decided to buy one: the point is that since his arrival, guiding me from what I have heard about this mic is bright and crystal supposedly (back and I repeat, I am not aware, I'm told) but this sounds kinda say fat, yesterday a friend who has had experience recording with this mic yo

A first time begginer...

Can someone recommend me a good recording studio earphones?

Are ther some of them that can achieve a good low frecuencies reproduction?

My purpose is the digital recording. I have a midi file, and I record it with VST sounds.

Thanks!

Hello All.

I have a Hardware Compressor, and a Finished Pro Tools Mix.

Now I want to Run the Finished Mix, Out From the MBox, Into a HW Compressor, then Back Into The Mbox[Inputs] (2 Track it).

But when I do it, I get a loud horrible signal and makes it pretty much impossible.

I have heard that this can be done, but I cannot achieve it.

Hi all,

So I am recording from a Yamaha USB Mixing Studio MW10, into both PC and Mac using both Garageband and Cubase LE.

First time purchasing a studio monitors.

I have seen that (in the paper) the main difference is the range of frequencies they can play.

Examples:

1) Mackie HS624MK2: 45 Hz - 6 Khz
2) Mackie MR5: 60 Hz - 20 Khz (± 3dB)
2) Yamaha HS80M: 42 Hz - 20 Khz (-10 dB)

What does this numbers really mean?

I've recently just finished my college course and have decided to differ for a year until I attend university. In this gap year I aI'm to gain as much experience (professional & voluntary) as I possibly can. But having never approached commercial studios yet I'm not quite sure of the things to say and not to say...