Good? Bad? Do you know of something that you believe to be better? I'll be renting a pair here shortly so I'll be seeing for myself, but was just curious to hear of others experiances.

Thanks,
Robert

I'm a 17yr old guy who produces rap beats/instrumentals and is trying to get involved in recording. So my "studio" is just my computer and a mic I bought at radioshack. I'm not trying to hit professional quality, but the closest thing to it...

I'm a 17yr old guy who produces rap beats/instrumentals and is trying to get involved in recording. So my "studio" is just my computer and a mic I bought at radioshack. I'm not trying to hit professional quality, but the closest thing to it...

Smart users

Is this funky unit suitable for vocal's duties too?

Thanks...

Renie

I produce rap 'beats', and when I have someone who'd like to rap over it and records it, adding them to the mix [which is already the 2track mix-down w/o vox] doesn't sound like they fit well.

What can I do if I can't touch the instrumentals? Or no matter what I try to add/configure, it just isn't going to be a good mix?

Hey gang . . .

Talk to me about double tracking vocals.
What is your approach?
How do the big boys handle this?

i do understand the term "ducking" to make vocal stand out in the mix with heavy guitar parts.
Julian, if you are in here, can you show me how to do this inside Protool?
thank you.

Hey there! I am new to the boards. Looks like a bunch of great people. Now for my Question.

Hi, I'm dealing with a song where the vocalist is belting out some really piercing frequencies. I've never recorded a voice that hurts like this... rip your head off, shards of glass in your eyes kinda pain... the basic tracks are alright but by the time the track is compressed/L-1'd... ouch!

Just wanted to get a list of mic/preamp combos that people are using to capture female pop vocals. The lady I'm tracking has a range similar to Celine Dion, Laura Fabian.
Thanks,
Allen :w: