So here is the question. How many pairs do you guys normally buy/build your snakes for orchestral recordings? It is rare that I use more than 2-4 mics but I used to use the occasional spots that would bring the count up. Anyone going with a modular setup? Say for lack of a better term detachable fans or boxes with various lengths of main snake.

Thanks

LightSnake STUSBG10 LightSnake USB Instrument cable or Behringer Guitar-to-USB Interface UCG102.
Not sure which to get for basic home recording.
Any advice?

http://cgi.ebay.com…"]So whats the catch on this?[/]="

Suppose this counts as budget, since I aI'm to try this in under £10.

Component video = yellow lead from yellow/red/white cables, if I got the name wrong.

http://www.soundtec…"]SoundTech Lightsnake Instrument Cable[/]="http://www.soundtec…"]SoundTech Lightsnake Instrument Cable[/]

Hi,

I am going to be recording a show this weekend in Detroit and need some advice.

I will be recording with the following:

G5 1.8 Dual
RME 800
PreSonus Firestudio
PreSonus LT Digimax

Thinking about digital snake?

hey..
I'm about to get a new mixer with [finally] the ability to properly mic a drum kit.. only problem is, the drum booth is not very close to the control room.. [30' - 35' away]

i need to pick up a snake so that i dont have to lay down 4-7 XLR cables to mic the drums..

i plan on using a 8 XLR to XLR snake for a drum kit setup i do know that there is some kind of limit to as how far the "throw/ft" can be. is there any effect on frequency or impedence. i have done some searching on the web and couldnt find any hard answers. i am at work right now i am away from my books so this is racking my brain
thanks in advance

-John Gonzales

I am getting into producing DVDs of live music performances.
In order to provide the best possible sound quality for my finished video, I must make a multitrack recording of the performance.