I have a little mixer called the Behringer Xenyx 1202 FX
 
What I would like to do is monitor my vocals with the effects from the mixer along with the output from my computer's sound card through the headphone Jack on the mixer.
But when recording, only record the dry vocals back into my computer. I have tried many things but nothing is really working.

Just got wind of this from UAD. Modeled from an actual Studer A800. They don't mention what tape they are using but it sounds easily as good as HEAT IMHO. No calibration. No need for biasing. Hmmm is it too good to be true?

We all know that acoustic guitars come in an infinite range of qualities and voices, so I am wondering if the quality always corresponds from live listening to tape.

This may sound totally noob/stupid, but... I just got an old Sony TC-252 1/4" Reel To Reel. And I have no idea what to do with it. I mean... I've had -many- tape machines over the years... just not in the past 20 or so. I figured, if nothing else I could make little echo loops with it like when I was 16 or so... or make some nutty distortion with it.

Hey everyone, new to the forum, but am desperately in need of some help.
I'm currently a student at Cape Audio College in Cape Town studying sound engineering.

Hey,

I'm working on an archiving project at the University of Washington where we're handling a bunch of tapes from as far back as 1955.

Some of the paper/cardboard boxes housing the reels are in really bad condition. They're molding and need to be replaced so they don't contaminate other items in our library.

I came across this idea while attending a little workshop put on by some of the heavies here in town. One engineer (the youngest, but most talented) recommended this technique during one "class".

As I recall, he put the tape on opposite side of the 57 from the hihat, along the grill side. Anyone ever heard of this?

A grade of recording tape that has been designed to reduce the amount of bias a recording deck needs to apply in order to achieve high-frequency reproduction. Since less bias is required, you get less noise in the recording.

Alignment coordinate of a tape head which references the head gap to the true vertical relative to the tape path.

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