Im recording a singer that is struggleing to hit the right pitch on some notes. He either goes to high and drops back or pitches just under and drags the note up to correct pitch.How can I fix this? I have about $350 US to spend.
thanks, Shindog.

Just got a whole bunch of new equipment - and tonight I tried to do a quick acoustic test with some of it.

Check this audio file out and tell me what you think. It's just a demo of me singing/playing - ignore the performances (they're not too great) - I'm more interested in how I can improve the tone.

Hi guys,

I was watching the metallica documentry some kind of monster a few weeks ago... n there was a part where they were recording vocals...

it appeared as though the tracks tempo was significantly slowed down whilst the vocals were being recorded... just curious if anyone has recorded vocals this way before? also would anyone know why it would help?

Hi there,

I would like to know whether there's any difference between recording rap vocals in a stereo track versus recording it in a mono track. I record my rap vocals in mono tracks for no particular reason. Should i be doing it stereo?

Mason

Hi,

i would like your opinion:
i am looking for the best mic for live rock/pop male lead vocals ( vocal style between jon bon jovi / freddie mercury).
thanks for the answers.

I currently bought a Tascam us-122 interface...A MXL 990 Condenser Microphone with Shockmount and i have a pop filter. .Sony sound forge,Cubase LE and cool edit pro. .but everytime i record it sounds awful idk but my voice sounds wierd and stuff.

I dont know if I'm on the right track because every vocal track i record i tend to remove breaths. is it a good practice? please advice.

Well, I'm sick of waiting for a band to come together, so I think I'm going to rely on some tracks in the meantime. What I was thinking about is getting the 1u rack mixer Rolls RM65, an effects processor probably a Lexicon MX200 or maybe a Digitech GNX4, and possibly a JBL EON G2 15".

Like most engineers, I strive to eliminate as many variables in the recording process as possible. A large choral group I record often includes high volume gospel tunes. More often than not, there's one or more male or female soloists belting out the lyric over the top of the 120 voice group. Add to this a driving drum and bass line, piano, guitar, etc.. You get the picture.