This is an open question about how to register details once you become a login member for this forum, which I've done.

Still getting my Pioneer RE-909 Reel to Reel up and running as pictured here:
http://tinyurl.com/l2lec
...in the photo it's the one on top that is. The one on the bottom is an older 707 that needs LOTS of work and I'll get to that one later on.

Hello,

Can some one give me good alternatives to GENELEC 8050APM
I don't know other good makes and models.

thanks a lot

WOULD ANYONE HAPPEN TO KNOW HOW TO HOOKUP A PreSonus TUBEPRE TO A FIREWIRE SOLO? NOTE: Mic IMPUT XLR. SHOULD I CONNECT THE PREAMP TO THE SOLO OR REVERSE?

OH AND I'M HAVING SOUN ISSUES READ THE NEXT TOPIC.

I JUST BOUGHT A NEW FIREWIRE SOLO, AND SOUND ONLY COMES FROM THE LEFT CHANNEL WHILE RECORDING. THIS MAKES IT VERY HARD TO HEAR YOURSELF. I'VE FIGURED OUT HOW TO RECORD IN BOTH CHANNELS BY SWITCHING MY COOL EDIT PRO RECORDING SETTINGS TO RECORD FROM LEFT CHANNEL ONLY. THIS ENABLES ME TO PLAY THE RECORDING BACK IN STEREO BUT WHILE I'M RECORDING, I ONLY GET SOUND FROM MY LEFT. SOMEONE HELP!

Hi everyone,

So I've been around this forum looking for ideas on recording my bands ep and then getting it heard. So naturally, Itunes came to mind. But in combing the internet for ways to allow people to digitally download our music, I came across this company called tunecore.

Ok, I decided to start a new thread about this because I was going off topic in another thread...

I found a very interesting Russian? website with measurements of BM15 passives. Here's the link: http://

I'm thinking of getting an Audio-Technica AT4040 for voice-over recording (primarily male voices).

Is there anything of comparable quality at a lower price? I need to save wherever I can but make as few compromises as possible when it comes to quality.

Just getting started but trying not to waste any money.

I'm looking at K&M mic stands. Should I be going for a fixed or telescopic boom? Shorter stand and longer boom or the other way round?

I will generally be recording either a standing singer or a seated speaker.

The specifications of the models I'm considering are as follows:

I'm interested in buying some api mic preamps for recording drums, guitars, and vocals. I recently used the 3124 unit on drums and was quite happy with the results. Before I make my purchase, I'm wondering if anybody out there can educate me about the characteristics/applications/history of other api mic preamps?
Also, what are some examples of the famed "LA sound".