What is your list of favourite microphones for recording vocals and do any of these in a list matter? Please feel welcome to add any mic/preamps  combos

Music Consultant Services UK - K Master Productions is a music production services house that specialises in remotely writing, recording and delivering high quality music in record time. Using over a decade of live performance and songwriting experience, K Master Productions will create custom music tailor made for your needs.

Karan began music mixing and mastering services and developing his own guitar led style which combined genres such as emo/pop punk with funk, jazz and neo soul and this lead to his band

I'm recording a bass direct into my DAW and getting a lot of clipping/popping/overloading, and I can't quite figure out where the problem is. To get the particular sound I want from this bass part, I have to hit the strings quite hard--harder than I normally play. Going direct into my Focusrite 2i2's instrument input, I would get pops on the pick attack.

feedback on my latest demo. I record in my office--a carpeted, aurally uninspiring choir room--so the tracking conditions are not ideal

Very Interesting Video from IZ Founder.

Just saw this, for all the techies out there...he shared a bit of cool details about the orginal Radar designs.

I hope this is allowed. I have a successful recording studio based in the midlands UK. I am looking for a business partner. Ideally a producer/ Engineer/ or songwriter who can bring in clients and make more use of the current set up. This would involve some form of investment (financial or asset).

We have produced two promos about our transfer services and posted them on Youtube. You might find them interesting.

Here they are:

Just received a licence for Samplitude Pro X6, in this video, I test the new features announced on Magix website.

Let me know if I should test something else !

I'm in need of some advice. I've recently taken a piano faculty position at a University, and have been given quite a bit of funding to use as I see fit and I'd like to dedicate a portion of it to a decent 2-mic setup. As a preface, I would like to say that we have an excellent engineer who has a ton of experience and an awesome equipment list. He's also a very busy man, and I don't want to bother him every time I want to do a bit of recording, especially since I tend to record at odd hours. To be clear, I do have plans for a solo classical album, and I will be exclusively going through him when I record it.

I have a trusty old Apogee Mini-Me pre-amp/compressor with drivers that don't work with anything beyond Windows XP.

For a time, I got away with using it via SPDIF  through my trusty old Egosys U2A - it's a cheap little USB Audio Interface which amazingly has both optical and SPDIF ins and outs and cost me less than $100 about a hundred years ago. (I know! Right?)