Folks,

Have you had luck with self-made tubetraps or such?
(or maybe luck does not play a role in it ;) )

I am planning to treat a small pre-production room acustically. I pretty well know the methods for taming bass-frequency modes, early reflections and using diffusors.

Hi folks. I posted this here cos Greg seems to know about this stuff.

Last year on Digi's Pro Tools Forum (and a few here) there was a lot of debate re the claimed benefits of 96kHz. Some people even thought it was some kind of marketing scam, saying 48kHz was fine. (Didn't go for this myself).

Hi friends.

Well, looks like the Digi96 Hammerfall line isn't for me since it's optical interface only and would severely limit my choices of power amps thus I'm getting the RME Digi96/8 PST which has a 1/4" TRS input and a 1/4" TRS output. When researching about this card, I stumbled upon this link:

Do you park your bass drum when you do fills?

Hello my ANUS! :)

I run a mix plus on a quicksilver 733 with atto SCSI ultra and two IDE drives - what about firewire?

I heard you can only run 24 tracks from a firewire drive... true?
Is firewire as fast as a SCSI ultra (...10`000 rpm)

what are you working with? :cool:

Has anybody else experienced this:

(Cubase/PC/ASIO multi-channel PCI card)

Buses dropping out accompanied by nasty noises when starting/stopping the tape transport.

Sometimes it's fine for hours, then the master bus drops out, somethimes it's bus 2 (chan 3/4). Sometimes it's flaky from the start.

I've got a Pro Tools Mix Plus version 5.0, 888/24, USD, and a Tascam DA-88 with the SY-88 sync card. I need to make dubs/stem mixes on DA-88. What is the preferred method of doing this?

Hi everyone, I just stumbled upon this forum a coupla minutes ago and from my initial impressions, it's a godsend!