I'm using PT LE right now and I have a very stable system. The only reason I have to forget PT and go for DP or Logic is horsepower to mix... DP is dual processor ready and logic is altivec ready... ohhh, I forgot about the track count on PT LE .

I'm using PT LE right now and I have a very stable system. The only reason I have to forget PT and go for DP or Logic is horsepower to mix... DP is dual processor ready and logic is altivec ready... ohhh, I forgot about the track count on PT LE :) .

hello, I have written music for awhile in the pop/rock format and would like to finally record them all and be done with them so to speak. I was hoping there was some way to record all the guitar and bass tracks to all the songs ( around 100 songs ) through direct input and then allow my voice to get stronger over the next year or so before doing the vocals.

Has anyone here ever used an AMEK Mozart with the Rupert Neve modules? Opinions on the sound of the board? Any problems? Thanks for the opinions.

Has anyone ever compared Logic's sound quality to other DAWs (Nuendo, DP, Paris, etc)? Just curious if there is a significant difference between any of them, or if it all comes down to what you put in and the quality of plugins/mix tools you use.

Hello, first post. Right off the bat, this website is a real resource of information...truly a great find.
I'm always trying to learn how to listen better to music and was wondering if you find some things, which most people may not consciously pick up on, very obvious that would be of help.

I posted this over on the DUC site and thought someone hear might be interested.

I've been messin around with recording as a hobby all my life. I've been using a Tascam 244 PortaStudio and Cakewalk 6.0 on my computer, and have come into a little bit of cash. I want to set up a semi vintage analog studio in my basement, and have my eye on an MCI JH-24 2" 24 track, and an MCI 600 series console that a studio I know is selling cause their going out of business.

Went and tried the km184 on bass drum. One take was six minutes of nothing but clips. Could I have damaged the mic?
:roll:
Ted

Is it possible that mic frequency response can vary with the temperature of the microphone? I recently used two Shure KSM-32 mics, that had been inadvertently stored at around 50 degrees F, to record a grand piano. These mics are generally pretty useful for the piano but the results in this case seemed better than usual.