OK, I'll admit it, I have both and I have had them for a year now. My studio has been on and off due to construction changes, so my time with the PODs has been scattered.

At first I thought they were a God send, but my experience is that each time I aproch either, it is as if for the first time.

I wonder if the modeling I am hereing just sounds better when going to tape.

hey there all you recorder guy's and gal's!

I am very new here(green)but it already feels like home.My first taste of RO was 'overhead phase'and recorder man's Micing method.Now thats what I call a welcome wagon!All your dirty talk really gets me going.

I've posted this on the Digidesign forum and got back some surprising responses. There were a lot of people that not only thought it was a great mastering tool, but also the best front end to Pro Tools. A/D was co-developed with Hutch from Manley Labs. Has anyone A/B'd them to the RME, Lucid or Apogee lineup? Also, has anyone A/B'd it to the L2 plugin . I love that plugin by the way.

What are you doing and what do they demand..?
This is research that I am doing, maybe it could help many if we discussed it openly here.
Off the top of my head :
1. What kind of "surround" work are you seeing, or expecting to see ?
2. Who are your current clients and anticipated clients ?

hey guys... just wondering if anybody knows anything about the technique DAvid Bottrill uses on Danny Carey's drums (Tool). I know most of the mic's he uses etc..no surprises there..but what has me stumped is the 2 large monitors that sit behind Carey when's he's playing...does he just hate head phones or what?...

Hi

Hope this is the right forum for my question.

On the Proppelerheads-forum someone mentioned the click-tracks of Reason and Cubase not in sync when rewired.

So I tried it myself and, indeed, not in sync (nice upbeat rythm though :-).

Anyone have any thoughts or experience with these mic preamps. I live in south Texas, where there is no way for me to be able to listen to high-end mic preamps. I rely on professionals opinions to help me make prudent purchasing decisions. Any input would help.
Thanks Abraham

I have the money for a (primarily vocal) mic in the price range of a RODE NTK, the Blue Baby Bottle & Soundelux U97. Of course it would be great if it did other things well in my bottom feeder analog desk to DAW studio. I have a RODE NT-2 & a pair of A-T 4033s now. The U97 is the only one that is multi-pattern. I've seen some Soundelux R-1 broadcast mics around.

I need to be able to edit at home or on the road...mostly comping and tuning vocals, some loop based stuff which would be taken back to the mix+ rig and up loaded. Track count isn't an issue as I'd plan on taking a abbreviated mix for reference for the comping.

Can someone help me? I noticed Mike Tholen has often praised the Quantec reverb. I assume he is talking about the Yardstick room simulator that is on their website. But does anyone know about the Quantec QRS Reverb? Apparently it is 2 in/4out and looks like a 2 rack space unit. Anyone know how it differs sonically from the Yardstick? Is it also a highly desirable piece to acquire?