Anyone?

Can anyone answer me this? If yes, what kind of "protocol" is used for 96K on those MOTU Interfaces, those RME Multiface, and all the 96K converters around?

Any relation to Fran Sheehan the bassist for Boston? Or how about Billy Sheehan the bassist for The DAvid Lee Roth band and Mr. Big?

Do you even play bass?

Taylor

My guitar signal is going into my soundcard and is then being processed by Cubase with vst/dx plugins in real time. I am unable to mute the dry signal for some reason. All i want to hear is the 100% wet, processed signal, but can't seem to do so. I have a SBLive, which I a am using the APSLive ASIO drivers.

I need everyone who would like to work on "UFO" to please email me the following information.

First and Last Name:
Mailing Address:

Format that you would like the song on:
If its a CD then please let us know Mac or PC? the file type WAV/AIFF/SDII and whether you can handle 24 bit or not?

I'd love to hear what people are doing with delays in their mixes.

Personally, I use a lot of slap, and rhythmic values like 8th notes, quarter notes, and half notes. I'm very interested to hear about 'magic delay times' that work well no matter what the tempo is. I think a slap around 124 ms is like that. Other examples?

OK, not to be dense here, but who's picking up what in terms of organizing all these mixing groups? I'm confused. I really haven't even had the time to listen to all the candidates what with changing over to Win2k, meeting my first grandchild, etc.

Howdy,

I'm looking for pricing info for
or a good dealer of the "TransD/2"...

I haven't had any luck yet...please advise...

Thanks,

Nickelbob
20to20soundesign

Two year ago I'd mixed and produced the first album of my band (I'm the guitar player ), in my own project studio. I was working for many years in production and studios, but the fact of dealing with my own album was difficult to me, too much subjectivity, I think !

I know, I know, your signal chain is only as strong as your weakest link. But if you were just starting to collect some nice equipment would you go for a couple nice mic preamps maybe an api 3124 and an Avalon or a Great River Neve and use some AT and Oktava condensers with 57's and 421's. Or to get a couple royers and a Neumann or two and use some Mackie pres or something like that.