I have recently bought an M-Audio Solaris and am experiencing some real problems with the output of the microphone. I am running it through a Line 6 kb37 (with 48V phantom power ON) into either POD farm and/or Studio One 2 and I am getting next to no response volume from the mic when everything is set up (track is armed and monitored).

hey all. there's a good possibility the studio i work at is going to be getting an ssl e-series, a 2" tape machine, and a 1/4" mastering deck. I've been mulling over some different ways of incorporating these into our daw system (digital performer/apogee/motu).

Greetings all,

This is my first post, and I literally signed up specifically for input to my issue. I have the Mackie Onyx 1640 i firewire integrated mixer, and I really want to find a reliable, powerful PC laptop with firewire. I'm shopping online and I can't seem to find anything.

So I have a J47a that I love dearly. It died however, after sitting cold stored (-40s) for about a month in Resolute Bay, then flew here in an unpressurized twin otter. Now I am wondering what killed the mic; Cold (electrolytic capacitor?) or altitude (lack of pressure), or both? I would really like to get this mic back up and running. XLR and all is fine.

Just as the title says, what is the best angle and distance?

I've tried quite a few variations, but I still get a way too "fuzzy" sound to make it comfortable.

I didn't use a lot of eq or compression. I just want to get a feel for how this sounds. Any criticism is helpful. [SC]https://soundcloud.com/john-a-regan[/SC]

hi.

I am a college student in the uk, writing a dissertation about the changes and developments in recording media and devices through out history, from the invention of the phonograph to the present day. I have written a small survey on this, and it would be greatly appreciated if anyone would take the time to complete it.
The link is below.
Thanks
Chris.

Hello!

I have a gig coming up recording a Grand Piano, Clarinet, Violin, Cello and Soprano playing a 12 minute classical piece on location in a small hall. I don't have a lot of experience recording classical music, and am wondering how best to approach the recording.

The stage is 4 meters deep, and about 12 meters wide.

Here's one i would like to know more about.

it's been said there is one primary manufacturer in China making mics that are badged for various audio companies. can someone tell me who that company is, where the plant is, which mics they manufacture and which companies sell their mics?

When I do audio Mixdown what are Left and Right Locators, what are they for and how do I set them?

How do I change the tempo on the track, I see where it is but am I just missing something on how to change it?