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Measuring Perceived Volume during Mastering

So does anyone have suggestions for measuring perceived volume in a Mastered track?
I set the max output to -.01 db but out of 6 tracks some sound louder the others.
This is of course because of the perceived volume caused by limiting the track.

Is there anyway to measure perceived volume and then subsequently make the proper adjustments?

I have a favor to ask...please don't feed the trolls.

Lately we seem to have a few trolls on this forum that are looking for any reason to start a fight. I have been sucked into a couple of these discussions and now realize that the best policy is to just ignore them and hopefully they will grow tired of posting messages to themselves and will leave or go find another forum to infest.

Graphical sound denoising challenge

I (over at Photosounder.com, home of the program that turns sounds into images and images into sound) have just started a new challenge. It consists in denoising a 115 year old sound by editing its image generated via Photosounder using Photoshop/GIMP/whatever you got or by writing a dedicated image processing algorithm.

The winners get a free license of Photosounder worth $140/€99.

Interesting ideas but not sure about the last sentence.

From the internet.

At present the Industry Standard sound quality is based on the specifications of the Red Book Convention, which is a sampling rate of 44.1 Khz and a word resolution of 16 bits.

A music production is considered to meet the Industry Standard when its frequencies show adequate harmonic balancing with alignment of the 3 main densities:

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