no offense to you but if the mastering engineer had dedicated his master to the replication house and 100,000 CD's were pressed later on finding out the pq coding was totally off and the songs had inproper gaps in between, or some problem like that, he cant blame the replication plant for the dedication to his work.

Please listen to it:
http://www.hot.ee/basskraft/mp3/BASSKRAFT_Beat_Way.mp3

What do you think about spectral balance and pressure of sound in this track? Help me to make my sound better!

Many Thanxxx

Hi. I know that when u mix a song u use hi quality monitors but when u listen your mix in crapy speaker it sound . well not so good. How to setup mix that will sound greate in speaker or radio?
I notice that usually commercials sounds better than songs.

Hey guys, here is a question for all you M.E.'s out there. I just had one of my clients CD's mastered at one of the most reputable places in town. I've used this company several times before BUT this time instead of using the main ME we used another guy that works there now. (he of course was highly recomended) He did a great job at mastering but perhaps too good?

Hi,
I have to do a mixmaster for a vinyl master.
Where are the main differences?
I guess especially the low frequency range and a limit of -0,7dB
are important.
Is that correct?

c'ya

Markus :)

This is just an observation I have made of myself. I'm wondering if anyone else has noticed this when they are mastering.

Anlybody knows goot Soft Clipping VST plugin ?
Because i had some strange peaks in a mix, maybe drumeer hit side of snare, something like this.

and this prervents me from making it LOUD.
i have f**ked pretty much with MB compressor to find this frequency, but it will affect my mix anyway, so Soft Clipping can helt, but i don't have such plugin :(

OK I have heard that a good place to boost the voice is around the 5k frequency...any tips on good frequencies for backups. guitar and base? Any help or opinions are greatly appreciated!

Thanks in advance.

i`ve sent a demomaster to a costumer of his mix.

one critic point is that "overtone harmony is missing" (don`t know If this is the correct translation from german )

I don`t know what he`s meaning ?

Out of curiosity what do you guys use as standard?

I know (from listening experience and from a TC Electronic paper) that a lot of consumer CD players will additionally clip the signal beyond 0dBFS when D/A'ing and things are so hot.

In which case I suspect -0.3 instead of 0dBFS doesn't make any difference - probably should be at least -3dB or something..