Hi all,

I'm slowly getting my head a tiny bit around the impedance thing.
Unfortunately my funds cannot always follow my simple understanding.

For examle:
The palmer pms-02 and pls-02 are both passive splitters, the mic one has an input impedance of 200Ohm and the line one of 600Ohms.

would there be a difference in tone if i disconected the other 3 speakers on my cab? with them all on doesnt if mean that the other speakers are leaking frequencies that i dont want on to my track? i have done every thing to get it to sound as good as i can (i am not displeased with my results but it could get better).

which do you think is better backed by technical explination and cherry on top being your ears opinion.

also can anyone explain to me the benefits of the beta releases over the standard mics? also, tech followed by audible difference plzz

so for the past few days ive been doing some recording with a fellow guitarists mics and all... getting my Alesis problems worked out *shakes fist* but its all running now and my dad just brought me home my present of 10 Bogen HDU250 mics so I'm pretty happy... really happy actually now its just stands and cables.

Hello.:D I own a Sebatron THORAX and a newly acquired vmp-2000e.I love them both very dearly and track all my instruments and vocals through them. Was wondering if there were any other recommended dynamic microphones for recording male rock/folk vocals specifically to match up with these units. Any suggestions?

I just literally got a really good deal at GC. They are selling today only (Labor Day 2006) the Blue Robbie Microphone Preamp for $399.00 plus tax. It's normal list is $1299 and GC and everyone else has been selling it for $999.00. I auditioned one of these about 2.5 years ago and really fell in love with the sound but did not like the price.

aight i got a AKG Perception 200, running SONAR 4, M-audio interface firewire solo, KRK rp-5 monitors.

-everything sounds good, but am not getting that professional feel to it. i know i won't get a professional sound...but damn with all this equipment I have to come close to something people could vibe to...

Hi

I recorded some music with an organist (& myself on trumpet) in a church recently and I thought it would be interesting to use 2 different stereo mic techniques to see how they differ and which sound I prefer.

Has anyone tried these out yet? Their mini condenser are only 5 bucks. I have a friend that picked up one of their ribbons, and it sounds really good. Their K55 Tube Condenser is on sale right now, was thinking about getting a stereo pair.

Check them out at:
http://www.karmamics.com

any good intefaces i could use?

i want to try recording Drums with on mic on the bass and one over head over the snare, Guitar mic'd And Bass mic'd to the amp...

I'm thinking bout the Alesis 8USB 8channel ananlog mixer interface..what do you guys think?