After a year of procrastination, got an MRL reel, some tape, and a freeware oscilloscope program. Mechanically it was just replace the capstan belt that needed replacement. Did a rough calibration, and deguassed/cleaned heads. We recorded live in a basement w/ some blankets and stuff. We'll do it at our studio w/ the machine at some point, but this is where we're at so far.

I have them both and the hardware sounds better.

Why?
I'll post an example of a kick but for now.

The more I mix, the more I know how important monitoring and metering is.

Interesting topic explained how to do a NULL Test

[GALLERY=media, 406]Mastered for iTunes 'sounds closer to CD' - I'm calling BS - UPDATED - YouTube by audiokid posted Apr 5, 2015 at 10:32 PM[/GALLERY]

How loud is your mix really? This video explains what we are doing to music to make it seem louder.

[GALLERY=media, 405]The Loudness War - YouTube by audiokid posted Apr 5, 2015 at 6:15 PM[/GALLERY]

Hi guys! just wanted to let you know that we released another video:

I am the longtime owner of a Teac 80-8, 1/2" 8 channel machine. I bought the machine in 1999 as a basket case. Mechanically, the machine was flawless..I have never had an issue with relays or any transport difficulties. The first issues I addressed were the heads and guides. The heads were re-lapped and laser aligned.

This being my first post I apologize if this thread is in the wrong place. I wanted to know what the difference was between the Studio Projects C1 and the later C1 V2 mic? Cheers, Warren.

Hey guys, Im 22 and majorly into hip hop . I just semi soundproofed my basement with glasswool etc. I have some equipment but I'm not sure if its routed correctly or even if its adequate. I really need some help here.

well... the question is really simple: is there any good software vocoder for recording (Sonar 8.3.1, windows ult 64bits) and playing live through the computer?

I'm currently in the process of selling my Korg R3, which is great, but I need the money to get a workstation, so...