Hello everybody,
I'm a new member from Cyprus. I own a recording studio and working with Mixing & Mastering Studios in Greece that helps me with the process.

I'd like to ask you that:

Who hard is for one person (in that case me) to record, mixing, and mastering the projects? Is it better to continue collaborate with other people and only have the recordings ?

Hey all!

I run a project called Gear-Wiki – a recording gear and musical instruments database. My ambition is to turn this into a comprehensive reference for any and all gear and I am looking for like-minded folks who want to help! :)

Hi there

It's in the title really. I always come here for the sensible grounded advice that other forum's can lack at times. That's a compliment in case you're wondering. :biggrin:

How well can a Distressor's Opto mode carry off an LA-2A sound?

I know it's lame, but its all I got. I'm running Cubase 5 with a Saffire Pro 10i/o (discontinued) and the Eureka. Right now I'm running channel 3 output from the Saffire into the line input of the Eureka via TRS, then line out of the Eureka into channel 1 of the Saffire. Then my brain exploded.

Hey guys,
Thanks for reading my thread.

My first thread on my first day in Recording.Org so if i screw something up then please do not shoot my dog.

I am curious, ppl keep going on about Analogue mixers, saying that the sound quality is not good and blah blah compared to digital mixers.

Hello to You!

I'm new to this forum and I'm really sorry if this is the wrong place to post topic like this.

This is my situation. I'm supposed to make a simple audio mix, a song, from a 5 or more recorded audio tracks. My problem is that I don't have enough time to buy equipment needed for recording and setup my studio.

I just received a news letter: I hardly follow Avid but I am going to buy Pro Tools 9 because I love their software.

Avid is offering a nice trade-in amount for my Pro Tools Mix system. I'm wondering what Pro Tools HD Native is? Meaning Mac exclusive or?

I am doing some animated videos, lots of 3D text etc. I am looking for good sound effects. I have looked at several but cant find good ones. They all seem to be overly dramatic, huge blasts and bangs and crashes, great if you're producing one of those over the top radio spots, but I am looking for more subtle, cool sounds. I am not looking for free or cheap, I want the best.

Has anyone used one of these? I just chopped and re pinned a 25dsub Yamaha . I probably wouldn't use this permanently but to get you by in a fix, pretty good adaptor to have.

Hello all. I've produced radio commercials for 20 years. They consist of voice(s), library music, library sfx. I have a -10 studio. I use a Lawson L47 mic / A Designs P1 pre, Tascam 16-channel analog board, Fostex 8-channel standalone digital recorder, Tascam PE 40 4-channel / 4-band para EQ, 2 hi-Z compressors, Dynacord 'verb.