How important is a power regulator/power conditioner/EMI/RFI filter in a studio? Have anyone wrestled with power issues of it intruding into the mix?

Hello there people.
I am new to thi forum a friend of mine recomended i came here to get help with my new pro tools setup.
I come from a Logic Express background.
I aqm running a Apple Mac Book Pro, 15.4" Dual 2.1ghz intel core duo, 2gig of ram, 100gb hard drive, Extenal 300gb lacie for Pro Tools stuff.

Does anyone other than me have a problem bouncing tracks from Pro Tools? it always gives me much more low end that what i hear when i play the track in Pro Tools. Does anyone have a solution to this?
-Alan

Hey Guys, I am thinking about buying a Twin Q for General instrumental tracking and overheads but I don't know anyone who has one I can have a play with. If you have heard or used them I would like to hear what you think of them. Also any alternatives in the same price range that you believe may be a better or just different a solution for the job. Looking for a similar feature set and format.

I'm trying to find some info on a groove tubes 5sm condenser mic. I'm picking up a lot of mics from a guy who closed down his studio and this mic is in the batch. i'm not familier with it at all and have know idea what it is worth. I set up all 9 mics and recorded some guitar. Haven't got to sit down and listen to it yet.

Hi everyone,

I am looking for a software that allows you to trigger sound cues for a live theater type production by assigning audio clips to keys on a laptop; having any of them for immediate playback at the touch of a key.
is there something like that available?

thanks

dave

I was wondering if some of the Sequoia users in here could answer some questions for me. The web site isn't real thorough. My main concern is the track count and vitual console. From what I can see on the magix website it seems to be limited to 48 channels? Is that correct. It also doesn't seem to mention anything about buses or aux sends.

i thought i'd post to try to get some suggestions on what to save for in my next couple pro audio purchases. i record mainly rock (recent projects can be heard at http://www.myspace… and http://www.myspace…). i'm currently working with the following gear:

greetings all,

Hello!

Soon after my other friends visit to Canada, and the resulting E-mu 1820. This one's going visiting Australia.

I have been trying to save up to get acoustics done. Oppertunities come knocking rarely. Should i spend on the Sebatron ? Best I can afford is a 1000USD. So would it be the VMP1000, or the more excitng Maximus ?