Hi @ all,

maybe thats discussed in this forum before and please excuse any bad english.

I want to know how to make the (I call it) typical compression sounding on synchonisation (speech) of films or speech in radio stations ?

It sounds mid, very close and with no headroom left but without any breath or noise background (mostly).

Any comments ?

I am looking for a great DX reverb plugin ? Any suggestions?

Or Mickey Dolenz, not quite sure. Having been rather nonplussed about the whole fervor surrounding Neves and Neve-alikes (yes they sound good, and they've always sounded good, but they're not for everything), I did find one application where I don't think it can be beat.

I've read some great reviews about this piece of gear.. does any of you have an opinion on this? link:

Link removed

thanks!

Looks like I can expect about 12-18 months before I can get into the new studio and the new console... provided all the financing works out. :?

In the mean time I'm looking for 8-16 channels of VCA automation to work with my A&H GS3000.

I moved this over to the gear forum. Please accept my appologies.

Thanx,
Max

Hi, my name is Gustavo and I am new on this forums.

Does any body know how Jim Scott/Richard Dodd achieved the amazingly gorgeous high-endon Tom Petty's Wildflowers record? The entire mix shimmers leading me to think that some sort of eq device was placed on the mix bus. Anybody ever worked with these fellas?

I was wondering what the difference is between Nuendo and Cubase SX? If I don't do any video, do I even need Nuendo or is Cubase SX fine? Also, is there any major difference between Cubase SX and SX 2.0? The reason I ask is because the Guitar Center near me has Cubase SX on sale right now for $299. Thanks.

Hi all.