Anyone here experimented with using a Blumlein pair to record a drum kit? Or anything for that matter? I just got done reading an article about the Micing technique and it sounds like it should work really well.

I was thinking of moving into a warehouse/studio/loft here in portland. I had a couple of questions for anyone experienced in this, 1. Is it a good idea, considering i get in a good area and have heat water electric? 2. will i want anymore than 1000 sq ft for a control room, vocal booth, live room, and living quarters? 3. where can i find a lot of listings for warehouses?

Thanks

hey all-

I've been a Cool Edit Pro user for quite a while and finally I am fed up with the mix interface (i.e. no mixer), plus there's really no real-time processing - you basically have to bounce any audio through whatever fx...but I still love the general processing power of CEP :cool: .

Hey all,

Voice and guitar in the mix, one track each, nothing more. Is it typical to pan them at all, is there any advantage to this? Or is it more usual to run 'em both down the middle?

How many times have you guys mixed something and thought, do I really need all this compression? Should I have more compression? Is this song good or do I just like the compression?
Thoughts, flames, etc? Don't tell me what your favorite compressor is.

empirical labs : FATSO jr.

I know this question has come up before, but I was curious as to what format everbody is mixing to, and why. Thanks.

Following a lot of requests, nuendo.org is now open with a structured forum. This includes a separate MacOs area.

Early days but there will be a lot of great advice, hint, tips etc

Once again, this is a re-post of a re-post of an article I wrote sometime ago. This one has never been altered, it is exactly the same as it was the day I wrote it (in less than 2 minutes), and has stood the test of time.

I have gotten good response to this, and now that I have a forum for these things, I thought I'd put it up.

Now the 10 Steps: