Hi-hat on Staying Alive by Bee Gees.

One of the best if not the best hi hat I've ever heard.

Unless there's some games going on with it and there's something else mixed with it like a tamborine?

Do you know what's happening there?

1. Drummer
2. Type of hats
3. Mic(s)
4. Placement
5. Effects
6. Surprises

Okay.. scuffing my original Idea I went to the rental shop and got myself a Mackie 1202 mixer an Alesis drum machine, a peavy AKG mic and a DI box... I have 4 amp cords, 1 mic cord, 1 1/8 to RCA cable.

I have Cubase SX for software and a SB live 16 bit card

Hi!
I have seen some people commenting on it and I also do it during mastreing tasks along with an ADAT bridge/Tascam DA40 machine...
Do you guys monitor at 44k/16 bits so a :w: s to compensate for any minor losses, bass shrinking, anemic fades and so?

Hope to hear from ya!
Thanks

Ok, I've been buying surround music on DVD for about 2 months now, and I'm hooked! can anyone recommend good suround mixes? even though there arent many artists out there with surround mixes.

thanks
Joz

So what compressor and/or limiter do you guys generally use on a stereo drum bus, regardless on the style of music?

Which for a more "budget" focus?
Which when $$$$ is not much of a big concern?

Hello,
I have never attempted a 'Blumlein' recording (including today w/ 2 Royer R-121 's) where I didn't have to flip the phase on one mic. Is this a given?
Thanks in advance.
Benjy

I'm about to buy the above midi controller and before cleaning my wallet I was wondering about the facility of configuration with programs like Reason or several VST instruments.
Anyone has a link to an online how-to guide on this, so I can value the utility of the controller?

Thx

I'm looking for advice/opinions on this machine... sound quality... reliability... maintenance...

thanks

I've got another album project(i mostly do post work) coming up in a couple months and I'm not going into it with this friggin delta1010 I have...still can't reliably record 24 bit, let alone higher sample rates. And I've switched MOBO's twice...time to get rid of it.

I am recording my son's HS Jazz Band concert. Instrumentation is pretty typical: 5 saxes, 4 bones, 4 trpts, piano, bass, drums, & 3 vocals. I would like to provide a recording (CD) to raise funds for the band. What set-up and mix-down considerations will help yield a decent product?