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More input sensitivity or output gain?

When recording a source I'm constantly trying to figure out how to get the maximum sound level before overdriving my pre. For instance when I stick my u195 in front of my plexi cabinet, I fool with my pre for hours trying to get a good balance between my output gain and input sensitivity. Where's a good starting point?

Explanation of a compressor

Not too sure if this post belongs here, but I just thought of something that always gives me trouble when trying to help folks out.

I recently did a couple of live sound gigs for a local band who has decided to bring in a friend of theirs to do sound. They've asked me to come give him a few pointers, as he's being trained "from the ground up." (sounds like a recipe for disaster)

Firewire drive shenanegans.

Here's an interesting one. I've got two HTFS (mac) formatted firewire drives that work fine on a mac. I have an Adaptec firewire card in a PC that works fine with a video camera and a MOTU 828 (used those two just for testing). The drives are completely unrecognized as existing by my Adaptec/PC setup. Not there, not in disk management, etc.