I just picked up a P4 1.7 Ghz PC with fairly good hardware but I have just a Soundblaster PCI 128 as a sound card. I realize in the future that I'll need to purchase something(sound card)more powerful to really do some damage but I just wanted to get things on the road for the time being.

Hi.

Anyone have any opinions on which is better for a PC based entry into DAW?

I presently use Maxell professional tapes R-124DA and I was hoping to try various Apogee tapes but they don't appear to be available in the UK now :) .
Can you actually hear or tell any difference between brands?
:w:

Jules,
Nice feature in EQ!

Maybe after my 10,000th helpful post over at musicplayer they will put my room in.

congrats

ed

Hi guys/girls

I really learn(ed) a lot on this board (hope I did ;-)
I was wondering if someone could give me some real honest feedback on my music. (from arrangement to overall sound, feel to whatever, etc.)
Please don't be gentle ;-) with it.
And please be as honest as you can

Thanks & Cheers

I have heard again and again that you can get a big sound out of a small amp. I don't really understand how this is possible, and was wondering if someone could expain this phenomenon.
I am after a Guns&Roses (Appetite for destruction) kind of sound. Or a Lynyrd Skynyrd (That Smell) sound. Can I get this with a fender champ or little danelectr?

Did anybody miced an Akkordeon?

This is some thing I put up just to get my site on. It's a little sloppy as I was in a hurry. Everything you hear was done with a Brian Moore guitar, GR-33(Roland Synth)and a Zoom RT-323 drum machine. Thae solo is a Fender strat through a G-Force and a Marshall. Much more Fusion to come.
Thanks for having a great forum.

Calling all you HEDDites who are using the HEDD as your primary converter!

I'm trying to settle on a word clock topology and am wondering how you guys are making it work.

1. HEDD as clock master (using a word clock DA to distribute the HEDD clock round the studio)