I have lots of outboard gear and don't want to stop using all of it. Great River, VMP-2, Cranesong, Lexicon, RNC's, etc. Have a 24 channel Mackie that could stay or go.
I would like to record either DAW or computer. Problem is, after reading 'till my eyes bleed, I'm not much closer than I was. Need 24 to 32 channels of digital with use of plugins editing, and etc.

I have lots of outboard gear and don't want to stop using all of it. Great River, VMP-2, Cranesong, Lexicon, RNC's, etc. Have a 24 channel Mackie that could stay or go.

I would like to record either DAW or computer. Problem is, after reading 'till my eyes bleed, I'm not much closer than I was. Need 24 to 32 channels of digital with use of plugins editing, and etc.

I know this is somewhat off-topic for this forum, but I figured there are a lot of knowledgeable people here so, here goes:

I just got paid by someone in monitor speakers (JBL MR905 speakers, three of them to be precise) and I haven't ever had to set up a PA speaker situation before. The speakers are 350 watts at 8 ohms each.

Okeydokey, I'm tired of not being able to hear anything in my studio. It's a spare bedroom with nice square walls and a closet with a building structure that resonates merrily with any bass coming out of my monitors.

I'd like to acoustically treat it. I don't want it live. I want it DEAD :)

FF

There are five factors that will put R.Ed on your "A" list:
1. The cost: it's less expensive than many competing products.
2. R.Ed sounds good.
3. It's super-stable.
4. The IDE drives...

anyone know of a good place to find a lot of used tape machines at reasonable prices?

I've been asked by a friend to record two bands performing at a private party and create a CD of the performances. It's an electric jazz funk quartet and a blues trio. I'm doing this mostly as a favor and there is little pay, that's alright. Also, it's likely to be a bit of an out of control crowd. So, I want to do the best I can with a minimun of gear.

Has anybody had success with Audio to Score for drum tracks. I've tried this on a snare track that was gated so it only contained snare hits, and wanted to create midi triggers from the snare. Although all the midi notes created were on the beat, it contained cymbals, wooden blocks, kicks but very few snares.

when mixing(bouncing) a 16-bit mix internally (Pro ToolsIII), is it necessary, or at least important, to have a dither plugin on the master fader? ie. Waves L1 set to dither to 16-bit? i've heard various things about truncation, mixer channel summing, etc. (yes, i realize this may yet be another case of DUC-induced-paranoia!)

I have 1680 backup data from VSCDRII on several CDr's. Can I recover this to the VS2480 with the Masterlink? If the answer is NO, then is there any other way to transfer data besides the VSCDRII? Im also looking for ways to backup current 2480 data SAFELY. But if the VSCDRII is the best way, I guess I'll have to do it.