I have an Aphex 107 manufactured in 1997 with a Phillips 12AT7 tube in it (the original). Any benefit swapping this tube out for another? If so, to what Brand and Type of tube?

How do you work out which one is best to have?

I'm mainly just doing recording in studio with it no live performances. And i plan to plug it into my DAW VSTi plugins to create my own sounds with the software i have.

But whats the difference with workstation and synthesizer and which one should i be getting for what I'm aiming to do ?

Hi,

I am going to work (tryout) tomorow night at a venue that uses a Yamaha LS9, and was wondering what the difficulty factor is on running this, as well as if there is software i can use to play around with tonight to get familiarized...

Okay, so, we are going to be filming a show.

I will keep the cameras rolling throughout, whilst moving about with them, and will split the clips later on in production.

At the start, before the audience arrive, we will line up all the cameras infront of the stage. There is a mic at the back, and a device plugged into the mic mixing board, which controls the on-stage mics.

hi there everyone. I'm going to be investing some money into a descent home recording setup and was wondering if anyone here can give me some advice on what to buy. i know how to get a nice clean mix out of my band but what i need help on is compression and mastering.

Hi,

Newbie hear and completely new to the home recording world however after never being happy with the rushed time frame and arsehole producers of studio recording I have decided to become somewhat a hermit and study the art of recording.

I am a singer songwriter / multi instrumentalist of an indie / psychedelic / pop / grunge ilk . . however I am not technically minded.

Hi,

Can anyone recommend a audio recorder that I can plug into an audio mixing desk? (I'm not sure what type it is - i'll try to find out)
We will be recording live, so it needs to be reliable. Lots of different instruments will be mic'ed up to the mixing desk, and it needs to be able to record what the audience can hear, not the channels that are off, etc.

Thanks!

Hi all,

New here, I've been on GS for a long time, someone there told me about this. great!

We get questions on this topic pretty frequently. Some of them are specific to particular instruments, but I thought I'd post some general thoughts I have on the subject that I didn't want distracting other threads.

I use an analog console in my studio for some tracking and for mix down. When I mix down I have no choice but to go into and A/D to get back into a stereo track in pro tools. I use TC MD3 to master in PT. All good.
The question is ? Do you think the console should always be monitored through the A/D and then to control room monitors via D/A as would be the case during mix down.